A wicked mother and a terrifying horse

A Sorceress Comes to Call, T. Kingfisher (Ursula Vernon)  (TBR shelves, 2024) 

T. Kingfisher would be an "auto-buy" author for me, except that I find her horror stories too disturbing to read (I have a very low tolerance for horror). When she announces a new book, I have to wait to see what type of story she is telling this time. A Sorceress Comes to Call is usually described as a retelling of "The Goose Girl." That is not a story I know, but I figured this book was one of Kingfisher's reshaping of fairy tales. Her Thornhedge, which has recently won several awards, is a take on "Sleeping Beauty" that I very much enjoyed. I wasn't prepared for just how dark this story became, particularly in the deaths of several innocent bystanders (most thankfully off-page), and the monstrosity of the title character. I skipped to the end more than once, just to verify that my favorite characters were still safe.

The book opens with Cordelia, sitting stiff in a pew listening to a long boring sermon, while a fly torments her. She cannot move to brush the fly away, because her sorceress mother Evangeline can take complete control of her body whenever she wants. Fourteen-year-old Cordelia calls this "obedience," something her mother inflicts on her for misbehaving or for her own convenience. Mother and daughter live in a small ramshackle house in the village of Little Haw, where Cordelia is never allowed to close doors, and where she does much of the housework. Her only relief is in rides on her mother's horse, Falada, whom she considers her only friend and confidant (spoiler alert: he is neither). Every so often, Evangeline rides Falada off to visit her "benefactor," who supports the two of them with money and jewelry. Except one day Evangeline returns home in a rage, saying she has to find a new benefactor, and muttering that she should have made him cut off his own legs with an axe (a grim bit of foreshadowing).

The story then switches to Hester Chatham, who awakens in the middle of the night with a shuddering presentiment of Doom. She lives with her bachelor brother Samuel, the Squire of their neighborhood. And then "Three days after her first panic-filled awakening, Doom appeared on Hester's doorstep, in the shape of a woman." Evangeline (who has given herself a title and a deceased husband) has met the Squire in the neighboring city, claiming to be lost in the bustle and in need of his aid. He chivalrously brings her home to his sister, and Evangeline wrangles an invitation for herself and her daughter to stay. Hester sees exactly what is happening but isn't sure how best to protect her brother. It isn't until Cordelia arrives with her mother that Hester begins to realize Evangeline is even worse than she thought. Cordelia on the other hand finds an ally in Hester and in the maid assigned to her, Alice, and she even gets to shut her door against her mother. Even as Hester gathers allies, though, Evangeline draws Samuel into her coils and doesn't hesitate to use her sorcery on anyone she perceives as getting in her way.

By the end of the story, I was quite attached to Hester and Cordelia, and I would happily read more about them. I was delighted to find at least one Easter egg in the story. When Cordelia is helping to search a library for books about sorcery, the stories she reads blur into "a morass of lost princesses, feckless soldiers, evil wizards, and dogs made of bones" - a clear reference to Kingfisher's Nettle & Bone, a wonderful story.

I was entertained by KJ Charles's review of this on Goodreads, where she wrote, "I will add that I read the author's note, and if T Kingfisher could get therapy for her horse issues, the rest of us might not need to get therapy for the horse issues she's giving us, because WOW the horse in this book." I have to agree, and I don't believe Kingfisher's promise in the same author's note "to write a book in the near future where the horse is pleasant and not attempting to murder anyone," since she adds "Probably."

Diversity and inclusion win

The Takedown, Lily Chu  (library book)

This was first released as an Audible Original. Since I find it hard to follow audiobooks, I have been waiting a good while for the print edition, and it was worth the wait. I enjoyed Lily Chu's first two books, both set in Toronto, as this one is. The Stand-In is a celebrity romance, with Gracie Reed hired as a stand-in for Chinese superstar Wei Fangli while she is appearing in a play. I found the reason for her striking resemblance to Fangli (revealed late in the story) too big a coincidence. The Comeback is more of an anti-celebrity romance, where Ariadne Hui is surprised to find a beautiful man staying in her apartment, who turns out to be the cousin of her roommate. Ariadne knows as little about K-Pop as I do, so she doesn't recognize Choi Jihoon. When she does, romantic and professional complications ensue. There is some crossover between all three stories, since they are all set in the Canadian Asian community, but each story stands on its own.

The Takedown begins with Dee Kwan enjoying her perfectly organized life in the family home she recently received from her parents when they moved north. She has just spent her savings renovating and decorating to make the perfect sanctuary. She has finally achieved her dream job as a diversity consultant, one she worked hard to earn. She relaxes by playing Questie, an on-line puzzle-solving game that involves finding clues scattered around the city.

This perfect life goes off the rails very quickly (and in only the second chapter). The owner of the company where she works announces that he is retiring and closing the business. Her mother calls to tell her that her grandmother has broken her hip, so her parents want to move back in to their house with her, to care for her. Dee ends up sleeping on a camp bed in her former home office, while trying to find a new job in a tough market. There is tension at home, because her grandmother disagreed with her daughter's decision to marry a Chinese man, and she has been hostile to both him and his two daughters over the years.

This story deals with some difficult topics. Dee (who uses her given name Daiyu at work) finds a new job as a diversity consultant, where she is assigned to a fashion company that has image problems (and more) due to its homogeneous staff, particularly the upper management. There are rumors that the creative director is stealing ideas from younger designers. Meanwhile, the handsome young man she has met playing Questie turns out to work for the company she is consulting for, which creates a conflict of interest. And her family crowding her out of her home is driving her to distraction, especially her grandmother's pet chinchilla and his squeaky exercise wheel, but worse is the tension over her grandmother's racism toward the Chinese members of the family. Dee's mother, a relentlessly positive person, refuses to even discuss the situation, or to acknowledge Dee's complicated feelings.

I enjoyed the story of Dee's work more than the family situation. It was a refreshing change to see diversity and inclusion celebrated and valued, even if there is constant pushback to Dee/Daiyu's work. It's not described in detail, nor is the work of the company (other than a disastrous runway show). The ending of the story felt cathartic in that bad people get their comeuppance, and the good people find their way to happiness and new beginnings - and Grandma repents and apologizes.

Lily Chu's next book is also an Audible Original (sigh). Drop Dead sounds like a bit of change for her: "One mysterious mansion. Two rival journalists. Three weeks to uncover the story—and love—of a lifetime." I'm looking forward to reading it when I can.

A family history in Zionism

Melting Point, by Rachel Cockerell  (TBR shelves, 2024)

I heard Rachel Cockerell interviewed on the BBC "History Extra" podcast, and I immediately put her book on my reading list. I ended up ordering it from Blackwell's in the UK, which has become my "I don't want to wait for the North American edition" option after the Book Depository closed. Which has been dangerous for both my book budget and my 52 new books project.

What drew me to the book was learning that Galveston, Texas, was chosen as a center of Jewish immigration in the years just before World War I. I live 50 miles from Galveston Island, I love visiting there, and I work in an archives that has rich documentation on the city of Galveston from the 1840s. I know about the city's history as an immigration hub, and that there was a strong Jewish presence on the Island from the mid-19th century, but I had never heard of the "Galveston Movement," which brought more than 10,000 European Jews primarily from Russia through Texas. Rachel Cockerell's great-grandfather David Jochelman was one of the most active agents in Russia, recruiting and persuading potential emigrants that the US offered other options than New York City. Cockerell knew nothing of this family history and had never heard of Galveston. Her research into the story connected her with branches of the family now settled in Canada and Israel, as well as cousins in the UK, where she lives.

Cockerell begins with a history of the modern Zionist movement, founded by Theodore Herzl, who called the first Zionist Conference in 1897 to meet in Basel, Switzerland. She has compiled a history without an overarching narrative, of a type I have never read before. There is a very brief prologue, outlining how researching her family history drew her into the larger story of Zionism. She notes there that she decided to take herself out of the narrative. The rest of the book consists of quotations from letters, memoirs, newspaper articles, and other primary sources. Some are only a line or two, others several paragraphs. The author of each is listed beside the quotation, but only by name. Most of the names were unfamiliar to me, yet the way the author wove them together created a narrative that was generally easy to follow. I was surprised to find the book has no index (but does have notes and a bibliography). I think an index would have helped in cases where I forgot who someone was, but I couldn't immediately find a previous reference to them.

Herzl's movement eventually divided over whether to consider other options than Palestine for a Jewish homeland, while waiting for Palestine to be restored. Those who believed they should, to help Jews faciing persecution particularly in Russia, founded a separate group, the Jewish Territorial Organization. For many years the leader of the ITO was the British dramatist Israel Zangwill (a name I did recognize), and David Jochelman became a colleague of his. I was honestly surprised to learn that the government of Great Britain offered Zangwill part of Kenya as a potential Jewish homeland, and that the group considered other options in Mesopotamia, Australia, and northern Africa. The "Galveston Movement" was another attempt to find a temporary refuge (and another that involved land taken from native residents).

After covering the establishment of the Zionist movement, the ITO, and the Galveston Movement, Cockerell then turns her story to her family's history. David Jochelman had children from a first marriage, one of whom came to America as a teenager - to New York City, not Galveston. There he established himself as an avant-garde playwright under the name "Em Jo Basshe." The story takes a detour into the attempts to establish a theater group for new and modern plays, funded by a prominent Jewish financier, Otto Kahn, who also helped fund the Galveston Movement. The plays proved too modern for audiences and Kahn eventually withdrew his funding. I lost interest in this section and nearly gave up on the book at this point.

The story then shifts to Britain, and a history of David Jochelman's second family, whom he brought to England just before the Great War. Em Jo Basshe's daughter Jo came to London in 1950, to meet the other side of the family. One of Jochelman's daughters, Sonia, moved with her husband and three children to Israel soon after the establishment of the State of Israel, which brings Cockerell's story to a close. It was interesting to read accounts of life for new arrivals in Israel, and Cockerell does acknowledge the complications and contradictions in the displacement of Palestinians in the creation of the state. It felt like a bit of a rush to the ending, particularly after the detours in the family history. Despite the helpful family tree in the prologue, I had a hard time keeping everyone straight, when they are identified only by first name next to their quoted material.

I thought this book was going to be primarily an account of the Galveston Movement, but it turns out that is actually only one part of the story (and a short chapter of it). Rachel Cockerell cites a book about the movement in the text and in the notes, if I want to read more later. Though this wasn't the book I was expecting, I found it interesting and I learned a lot from it, though I found it a bit uneven in the end.