"been free now going on more than two decades - ever since the slave uprising in that first year of the war. Caught the Confederates by surprise. They got so scared, they let the Free Coloured militias join up to help put it down. Only the militias switched over to the slaves and both of them took the city."And in this world, airships have been developed, for which New Orleans has become a major port, a neutral and open one. When we first meet Creeper, she is settled in the hideaway she has established at the airship docks, where she can scout out "folks too careless with their purses, luggage, and anything else for the taking. Because in New Orleans, you can't survive on just dreams."
Creeper also prefers to be high up over the city. Her mother, who died from yellow fever, told her that she "was Oya's child - the goddess of storms, life, death and rebirth, who came over with her great-grandmaman from Lafrik..." Creeper, named Jacqueline at birth, can feel Oya in her mind, hear her voice, sometimes warning of dangers or calling her to some action.
When Creeper overhears a group of men plotting to kidnap a Haitian scientist due to arrive on an airship, who will be bringing "the Black God's Drums," she knows she has found something "Bigger than any marks I was going to pinch tonight . . .that's gonna be valuable to somebody. I just need to figure out who'll pay the highest price." What Creeper wants, more than money, is a place on an airship, to join a crew - and she has her heart set on a particular ship, the successful smuggler Captain Ann-Marie St. Augustine's Midnight Robber. What she doesn't know until she meets the Captain is that the woman also carries a goddess's touch, Oshun, "The Bright Lady! Mistress of Rivers! Oya's sister-wife!" Creeper tells us "The magic of those old Afrikin gods is part of this city, ma maman used to say, buried in its bones and roots with the slaves that built it, making the ground and air and waterways sacred land."
P. Djèjí Clark packs so much action and excitement into his story, which takes place in the days before Mardi Gras (called "Maddi grà" here). I was particularly tickled by Creeper and Captain's visit to the convent of the Sacred Family, a gloss on the Sisters of the Holy Family, founded by Henriette de Lille in New Orleans as the first congregation for African American women in the United States (barred by racism from entering white orders). Sisters Eunice and Agnès who agree to help them are hilarious, but they are much more than comic relief, with more than one trick up the sleeves of their habits. As Creeper says, "Everyone knows the sisters help smuggle in runaways from the Confederacy." Those still enslaved are kept docile and helpless with chemical warfare, a gas called drapeto - a particularly chilling touch in the story.
I enjoyed this story so much. I loved the magic, and the technology, and the triumph of freedom in New Orleans (and Haiti). I hope there will be more of Creeper's adventures to come, especially if she talks her way on to that airship.