Ursula Le Guin's Earthsea books are deep in my literary DNA. One of my dad's colleagues gave me the original "Earthsea Trilogy," small Bantam paperback editions in a grey box. This was on the front cover of both the box and the first book.
I still have the books she gave me, nearly 40 years later. I read them over and over again as a teenager. The first is the story of the young boy Ged, sent to study wizardry at the academy on Roke Island, struggling to balance his power and his ambition. (I still grieve for his otek.) In the second book, a young priestess serving dark powers in a far distant land meets a traveler from the west, who seeks an ancient artifact. The third book, which was always my least favorite, concerns a break in the world and a perversion of its magic.
I love so much about Earthsea. Ursula Le Guin created a rich world of islands scattered across the seas. This world has a fascinating history and mythology. We learn parts of it through the stories that her people tell, the songs and the poetry they share. I love the dragons that wind through her stories, which have always seemed the perfect dragons of fantasy - wickedly intelligent, sharp-tongued, speaking the Old Speech of Making, the language the wizards use in their spells. In the first book Ged becomes a dragon-lord; as he learns, this is simply someone the dragons will speak to, but it becomes part of his own legend.
I thought the story of Earthsea was neatly contained in those three books, in their little box. It was only years after its publication that I came across a fourth book, Tehanu. It is subtitled "The Last Book of Earthsea," and it instantly became my favorite (and one of my desert-island books). It takes up the story of Tenar, the young priestess of the second book (The Tombs of Atuan). Now a widowed mother of two, she takes in a child, burned and left for dead (presumably by her parents). It is a book about the lives of women, the power of women, the magic of women. There are no female wizards in Earthsea, though there are witches and healing women. But something is broken in the great magic, and Tenar with her ward may have part of the solution.
More than ten years later, I was surprised to find a new book, Tales from Earthsea. Ursula Le Guin wrote in the introduction that she was rather surprised herself.
Seven or eight years after Tehanu was published, I was asked to write a story set in Earthsea. A mere glimpse at the place told me that things had been happening there while I wasn't looking. It was high time to go back and find out what was going on now.As an archivist, I find the idea of research in fictional archives enchanting. I'd love to rummage through the Wimsey papers at Duke's Denver, or the Culter/St. Pol papers in Scotland, or the Emerson archives that I'm sure have been donated to the British Museum.
I also wanted information on various things that had happened back then, before Ged and Tenar were born. A good deal about Earthsea, about wizards, about Roke Island, about dragons, had begun to puzzle me. In order to understand current events, I needed to do some historical research, to spend some time in the Archives of the Archipelago.
This book of stories was followed shortly by The Other Wind, set fifteen years after Tehanu. I bought it as soon as it came out, and I read it immediately - and I disliked it intensely. I have no idea why now, except a vague memory of finding it confusing. I kept it on the shelves, but I have never re-read it (or Tales from Earthsea). When I read Tehanu again the other day, though, I found myself wanting more stories of Earthsea. I read The Other Wind again, and it was like reading it for the first time - and I loved it. It continues the story of Ged, Tenar, Tehanu, and the dragons. It takes us to different parts of the Archipelago, and eventually back to Roke itself, on a quest. A wonderful story of adventure, it also fills in some of the history of this world, and deepens its mythology. I must have been having a bad book day, the first time I read this. I'm so glad to have re-discovered it, and on my own shelves.