This is the sixth book in Seanan McGuire's "October Daye" urban fantasy series, set in and around San Francisco, and the series just keeps getting better with each book. The main character, October (or Toby), was introduced in the first book (Rosemary and Rue) as a changeling, born to a fae mother from whom she inherited certain abilities that help her work as a private detective in the fae communities. In this book, she is hired by a fae father, who has just learned about his own changeling child, Chelsea, a daughter who inherited his powers of teleportation. Her human mother thinks the fae have kidnapped her child, and she is threatening to reveal their existence to the human world, which will threaten the survival of all the fae. Chelsea doesn't know how to control her powers, and she is breaking through barriers between fae worlds, opening doors that must be closed. Toby has to track her down before she weakens those barriers to the point that worlds begin to collapse. She must also offer Chelsea what all changelings face as children or adolescents: the Choice between the human world and the fae. If she chooses the fae world, she will be separated forever from her human parent. This was the Choice that Toby made, and her fae mother has never forgiven the loss of her husband, Toby's father.
As a changeling herself, Toby understands Chelsea in a way that the pureblood fae never can. Not only did she face the Choice, but so did her own daughter Gillian, who chose the human world of her father. Toby's experiences with lost children and changelings often draw her to these kinds of cases.
This is a series that really needs to be read in order. There is a deep backstory to Toby, one that she is still figuring out. Ms. McGuire is good however at brief reminders of things that happened in previous books, without letting them distract from the current action. The stories are interesting in and of themselves, as Toby works out the different cases. Beyond that, there are three things that captivate me in the stories. The first is Toby herself. She is smart and snarky, but also scarred by her past, by the loss of her child and partner, and by the very complicated relationship with her mother Amadine, one of the most powerful of the fae but one of the least stable. We have gradually learned more about Amadine, but I get the feeling there are more secrets to be revealed.
The second is the family that Toby has built, starting with her liege lord and father figure Sylvester, Duke of Shadowed Hills. (The first book opens with Toby trying to find his wife and daughter, who have been kidnapped.) Then there is May, once the Fetch sent to foretell her upcoming death, now her sister and roommate. They share a house with Quentin, a fosterling at Sylvester's court who is Toby's squire. Toby doesn't know who his parents are, but they don't seem to mind that working with her has already gotten Quentin shot, or that he has had to break her out of (fae) prison. Sylvester assures her that they think her training will best prepare him for the modern worlds. Quentin's best friend Raj hangs around with them a lot. He is a Cait Sidhe, heir to the throne of the local Court of Cats. The king, his uncle Tybalt, has rescued Toby more than once, for reasons that she can't quite understand. (Ms. McGuire is also good at explaining the different races of fae, and keeping them clear in my mind at least, again without overwhelming). One of my favorite characters is The Luidaeg, an immensely powerful fae known and feared as "the sea witch." She and Toby have become friends over the course of the stories, as she has helped with Toby's cases, though her assistance comes at a high price - and not in money.
The third is the politics of a fae world where the Elders - Oberon, Titiania, and Maeve - have withdrawn, leaving their children vulnerable among the humans, but sometimes unable to live in peace among themselves. Fae society is organized along feudal lines. Duke Sylvester is Toby's liege, but they are both subjects of the Queen of Mists, who dislikes them both. At one point Toby herself inherited a territory and became a Countess in her own right, which infuriated the Queen. She later gave up the title (with relief) in part to prevent a war. There are alliances between different groups of the fae, and conflicts of course as well, which Toby must deal with as she works through the different cases she takes on.
I find these books so rich and satisfying that I have been taking a break between them, rather than rushing through the series as I often do. However, Ashes of Honor brought some very interesting developments, and left a couple of questions open, so I have moved straight on to the next, Chimes at Midnight.
"My tastes are fairly catholic. It might easily have been Kai Lung or Alice in Wonderland or Machiavelli -" ". . . Do you find it easy to get drunk on words?" "So easy that, to tell you the truth, I am seldom perfectly sober." -- Gaudy Night
Showing posts with label Seanan McGuire. Show all posts
Showing posts with label Seanan McGuire. Show all posts
Sunday, February 10, 2019
Friday, October 19, 2018
Rosemary and Rue, by Seanan McGuire
I enjoyed Seanan McGuire's ghost stories so much that I couldn't wait to see what else she has written. This series caught my eye. The main character, October "Toby" Daye, is a changeling. From her faerie mother she has inherited certain skills that help her run her own detective agency, where she works with both humans and fae to pay the bills. (I'm not sure what if anything she carries from her human father.) This story opens on a stakeout: she is following someone who could lead her to the kidnapped wife and daughter of a high-ranking fae, one to whom Toby is pledged as her liege lord. A mother herself, Toby is all the more anxious to find the missing mother and daughter.
But then, just a few pages into the first chapter, the tables are turned. The man Toby is tracking leads her into a park and attacks her - turning her into a fish and trapping her in a pond. The story then jumps fourteen years and six months ahead. Toby has lost everything in those years, starting with her human family, who gave her up for dead. She is working any job she can find, just trying to find her way again after all those years. She wants nothing to do with the faerie world. But then an old friend binds a duty on her, one that Toby must complete or she will die. Recognizing that she can't do this on her own, she reluctantly turns back to the fae community for help.
I came late to the urban fantasy genre, through Patricia Briggs's books. Though I've tried quite a few authors since, I haven't found other series that work for me. This book certainly did, and I'm looking forward to the next. Toby is an interesting and sympathetic character, who doesn't fit fully into either the human or fae worlds. One of the things that sets her apart is that she is a knight of her liege's court, a rank she earned by service but one rarely granted to changelings. We learn a little of her backstory, and I'm guessing that we will meet her fae mother Amandine at some point. She sounds like a formidable character herself.
Seanan McGuire has created a complex faerie world around Toby, one which exists alongside (outside) San Francisco. I like those kinds of stories, where other worlds overlap with a recognizably human one. While the fae world is complex, with different types of creatures and various communities (courts), as well as Toby's allies and enemies, I had no trouble keeping them straight. It was interesting meeting fae and learning about their abilities and habits. I recognized some of the types from folklore. I think Ms. McGuire draws mainly on Celtic myths and lore. Thankfully, she doesn't overwhelm with details. Toby's task makes for quite a story, one that turns dark and violent at times (though not in gruesome detail). This is "fae noir," if there is such a category. Looking at the other books in the series (now up to twelve), I see they feature more cases and quests for Toby. I like detective stories almost as much as police procedurals.This is just the first I've read that includes faeries.
But then, just a few pages into the first chapter, the tables are turned. The man Toby is tracking leads her into a park and attacks her - turning her into a fish and trapping her in a pond. The story then jumps fourteen years and six months ahead. Toby has lost everything in those years, starting with her human family, who gave her up for dead. She is working any job she can find, just trying to find her way again after all those years. She wants nothing to do with the faerie world. But then an old friend binds a duty on her, one that Toby must complete or she will die. Recognizing that she can't do this on her own, she reluctantly turns back to the fae community for help.
I came late to the urban fantasy genre, through Patricia Briggs's books. Though I've tried quite a few authors since, I haven't found other series that work for me. This book certainly did, and I'm looking forward to the next. Toby is an interesting and sympathetic character, who doesn't fit fully into either the human or fae worlds. One of the things that sets her apart is that she is a knight of her liege's court, a rank she earned by service but one rarely granted to changelings. We learn a little of her backstory, and I'm guessing that we will meet her fae mother Amandine at some point. She sounds like a formidable character herself.
Seanan McGuire has created a complex faerie world around Toby, one which exists alongside (outside) San Francisco. I like those kinds of stories, where other worlds overlap with a recognizably human one. While the fae world is complex, with different types of creatures and various communities (courts), as well as Toby's allies and enemies, I had no trouble keeping them straight. It was interesting meeting fae and learning about their abilities and habits. I recognized some of the types from folklore. I think Ms. McGuire draws mainly on Celtic myths and lore. Thankfully, she doesn't overwhelm with details. Toby's task makes for quite a story, one that turns dark and violent at times (though not in gruesome detail). This is "fae noir," if there is such a category. Looking at the other books in the series (now up to twelve), I see they feature more cases and quests for Toby. I like detective stories almost as much as police procedurals.This is just the first I've read that includes faeries.
Sunday, September 16, 2018
Ghost stories
Sparrow Hill Road and The Girl in the Green Silk Gown, by Seanan McGuire
Let's see if I remember how to do this.
I didn't sign up for the R.I.P. reading event this year, but these books would have been perfect for it. They are the stories of Rose Marshall, who died in a car accident on the night of her prom, on Sparrow Hill Road, in Buckley Township, Michigan, back in 1952. Over the decades that followed, Rose became a famous ghost, The Girl in the Green Silk Gown, The Girl in the Diner. Always looking like the teenager she was when she died, she is a "hitcher," a ghost looking for rides. And sometimes the people who give her rides end up dying on the road too.
Sparrow Hill Road introduces Rose and her world of the twilight, including the different types of ghosts who share it with her, and the humans who enter into it. The author calls it "a 'fix-up,' a collection of short stories strung together by a thin narrative thread." It didn't feel thin to me. I loved exploring Rose's world, learning her story, meeting the friends she has made on the road - and the enemies - and finding out why she is compelled to hitch those rides. I've heard those kind of stories before, told around a campfire or whispered in the dark. Rose's story felt so familiar, it was hard sometimes to remember that she never really lived and died.
The Girl in the Green Silk Gown is a novel, building off the stories in the first book. It is about an attempt to capture Rose, to finish off something that began back in 1952, when she was driven off the road to her death. It takes Rose out of her place in the twilight, leaving her lost and alone - and alive again. She must make her way back to death, but it's not as simple as contriving an accident. It is a bigger, more complicated story, with a twist at the end that I never saw coming. Though the ending is neat, it doesn't feel like the end of Rose's story. I hope there may be more to come.
I discovered Seanan McGuire through Twitter, but I hadn't read any of her books before I found The Girl in the Green Silk Gown on the library's new book shelves. Once I realized Sparrow Hill Road came first, I of course had to read it first. I'm looking forward to exploring her other series. Tor has a handy "where to start" page here.
Let's see if I remember how to do this.
I didn't sign up for the R.I.P. reading event this year, but these books would have been perfect for it. They are the stories of Rose Marshall, who died in a car accident on the night of her prom, on Sparrow Hill Road, in Buckley Township, Michigan, back in 1952. Over the decades that followed, Rose became a famous ghost, The Girl in the Green Silk Gown, The Girl in the Diner. Always looking like the teenager she was when she died, she is a "hitcher," a ghost looking for rides. And sometimes the people who give her rides end up dying on the road too.
Sparrow Hill Road introduces Rose and her world of the twilight, including the different types of ghosts who share it with her, and the humans who enter into it. The author calls it "a 'fix-up,' a collection of short stories strung together by a thin narrative thread." It didn't feel thin to me. I loved exploring Rose's world, learning her story, meeting the friends she has made on the road - and the enemies - and finding out why she is compelled to hitch those rides. I've heard those kind of stories before, told around a campfire or whispered in the dark. Rose's story felt so familiar, it was hard sometimes to remember that she never really lived and died.
The Girl in the Green Silk Gown is a novel, building off the stories in the first book. It is about an attempt to capture Rose, to finish off something that began back in 1952, when she was driven off the road to her death. It takes Rose out of her place in the twilight, leaving her lost and alone - and alive again. She must make her way back to death, but it's not as simple as contriving an accident. It is a bigger, more complicated story, with a twist at the end that I never saw coming. Though the ending is neat, it doesn't feel like the end of Rose's story. I hope there may be more to come.
I discovered Seanan McGuire through Twitter, but I hadn't read any of her books before I found The Girl in the Green Silk Gown on the library's new book shelves. Once I realized Sparrow Hill Road came first, I of course had to read it first. I'm looking forward to exploring her other series. Tor has a handy "where to start" page here.
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